Singles round-up

I Love 1981 - pt. 23
With so many great albums out this time in 1981, let's have a quick look at some of the better singles of the time which may otherwise have escaped our avid attention:

Soft Cell - Bedsitter
an excellent follow-up to Tainted Love this was Cell's preview of the new album Non-Stop Erotic Cabaret, and a taste their rather seedy view of the early 80's society. More synth-pop greatness and  the 12" was even better.

New Order - Everything's Gone Green
The low-profile band's second single  was released in November and, typically, not included on their debut album Movement released around the same time. Gritty electronics mix with trademark bass-guitar riffs and electro-steady drumming, plus the usual enigmatic lyric (and title). A blueprint for their later electro-dance numbers to follow. Again , there was an excellent 12" extended version.

Scritti Politti - The "Sweetest Girl"
More from the indie scene, as championed by John Peel, but also making it onto other radio shows although sadly not onto the telly or into the charts.

ABC - Tears Are Not Enough
One band who did make it out of indie-obscurity into the big time were this erstwhile electronic experimental outfit from Sheffield (Vice Versa), now the glitzy and funky Treveor Horn-produced ABC. They would go to make one of the biggest albums of the 80s and this was their debut which got to number 19:

Laurie Anderson - O Superman
And here's the weirdest of them all: an experimental eight-minute long experimental semi-electronic minimalist piece that made it to Number 2  in October (held off my the only slightly less batty "It's My Party" by Dave Stewart and Barbara Gaskin). Proof that in those days you could still experiment and be successful. Again championed by Peel it was perhaps understandably shunned by other national DJs. Contains the line ""Cause when love is gone, there's always justice / And when justice is gone, there's always force / And when force is gone, there's always Mom" . .still don't know what she was on about.

The Human League - Hard Times/Love Action - Soft Cell Tainted Love / Where Did Our Love Go?

I Love 1981 - pt 15
In which Britain experiences it's first major synth-pop summer and the 12" single with extended dance mixes finally takes on as a mainstream musical art form.

The Human League first advertised theirs as featuring "a disco mix and odd mix, two separate very long versions of both songs". Major ground breaking here in more ways than one. Firstly it features the B side Hard Times before the A side Love Action, and secondly the B side is a kind of instrumental variation on the A side picking up only on the female 'hard times' vocal parts from the main song. Easier to listen to than explain.
The opus is a combination of The Human League's new style dance music with meaning and the late Martin Rushent's production skills who helped them achieve their distinctive sound not least by introducing them to the Linn drum machine. Lyrically, Phil Oakey is the tough Northern bloke (albeit with jewellry and make-up) who comes out with his hard times story "I've been a husband and a lover too..I've lain alone and cried at night...I feel the pain..." but ultimately gives in to, er, temptation, the 'love action' transmitted by.... who? The Daily Mirror published a gossip style story about his broken marriage and his affair with one of the girls (or both? ..can't remember) and we were even treated to a photo of his shock-horor-probe pierced nipple! Love Action ( I Believe in Love) is classic League of course and the one that got them to number 3 and well and truly on the road to fame (and we still haven't had Don't You Want Me yet).

Although Soft Cell were very much in the synth-pop catchment area their electronics were a tad more minimal and seedy compared to the League's lush production. No matter though as their cover of two Motown numbers remains a classic in its own right to this day. Again it's a 'segue' type long mix cleverly bringing together the two songs in a new style electro-dance bonanza which meant DJs could rest for a bit while the punters danced on.
Like The Human League's "instrumentals" 12" B side, theirs also fetaures a dubby trippy instrumental mix which became the blueprint for so many dub/dance crossover re-mixes for years to come. Tainted Love became a number 1 single in 17 countries and even broke the US top 10 in 1982. Famously however the duo made relatively little money from sales of the single as both sides were cover versions, leaving many royalties to their original owners.
Not bad going though for the archetypal odd couple (see Sparks) Marc Almond and Dave Ball who had recorded it as a make-or-break single for Phonogram. Northern Soul from Leeds for the new electronic age. Beep beep!