I Love 1980 - appendix 1

As a sort of an offshoot of the I Love 1980 series I'll start with an 'appendix' series too, mostly to show the influence of music from that year over the decades to come and particularly the up-to-date stuff the "kids" are listening to these days.

I was particularly surprised to ocme across this track by Italian rap group Club Dogo, who have clearly been listening to a bit of Kate Bush and, who knows, may even have spotted the LIM post of a few weeks back...wooooooooowww amaaaaazing.

I Love 1980 - 16

Joy Division - Love Will Tear Us Apart

I seem to remember there being some kind of strike at the BBC involving TOTP and even, perhaps, daytime radio around this time in 1980, which meant basically that the charts went a bit haywire and records started appearing that wouldn't normally have done so as considered 'unsuitable' for TOTP even in these "new-wave" times.
Joy Division's seminal Love Will Tear Us Apart was a case in point. Fuelled by singer Ian Curtis' recent suicide (news which hardly made it beyond John Peel's 10 pm show) the single was riding high in the indie charts in May and June and manged to break into the regular TOTP-less Top 40 at the beginning of July and had made it's way up to no. 13 by the end of the month.

So much has already been said about the song / band / singer already so not much more to add, except to say that it opened the doors to the band's music to so many new admirers including myself. I didn't buy the single preferring the tape recording off the radio done on my new (and first) radio cassette recorder bought with my strawberry picking money (ironically the original was recorded in Strawberry Studios).
It would also seem to have been the band's attempt to write a 'proper' pop song with a catchy tunes, title in the chorus and everything. Fitting then that it did become their first chart hit, reaching the top 20 aagin on re-release in 1983 and 1995.

The song's beauty and power are universally undoubted with Curtis' dark and detached vocal creating a melancholy sing-along which would inspire angstful youths to gaze meaningfully at their shoes and to try and attempt similar music for years to come. LWTUSA has been covered by a wide range of artists, the first possibly being a brave but much derided version by white-soul boy Paul Young on his 1983 album No Parlez, a version which I've always quite liked. Arcade Fire, Simple Minds, Nouvelle Vague, New Order and Hawksley Workman (look it up) are among the many others to have attempted cover versions, although inevitably none of them compare to the turbulent and unsettling beauty (like that?) of the original by Ian Curtis, Bernard Sumner, Peter Hook and Stephen Morris.


Joy Division: they never wanted to go on Top of the Pops anyway
















Love Will Tear Us Apart : chart stats
Get Love Will Tear Us Apart here or cheaper here

Joy Division - Love Will Tear Us Apart

..the ultimate discovery..

And continuing this weeks OM(IT)D theme we were pleased to discover this rather lovely and incredibly desirable re-issue of the band's eponymous 1980 debut album with a CD sleeve design coming very close to the original 'die-cut' LP sleeve.
It's a "Limited Edition" U.S. only release on Micro Werks records and we thank co-bloggers Version Crazy for the info and the excellent photos taken by someone who obviously fully appreciates this artefact.
As well as the utterly tasteful design, adapting the original sleeve to the CD, there also seem to be some copious sleevenotes and a never-seen-before (at least by us) band picture (which judging by the haircuts and line-up relates more to Organisation period OMD, but who's complaning?). Oddly this release has not been featured on the official OMD website (concentrating heavily on the new album) - with fans being kept in the dark (ahem) and has raised only a handful of eyebrows when mentioned in the forum.
However, LIM hopes to have this marvellous object within our grasp before the summer's out and the music may even become an unexpected soundtrack to our holidays. It may even make up for a 30-year old qualm of never having found the die-cut cover LP ....





OMITD 2010 re-issue ... just look at the shadow it makes!









OMITD - Electricity (album version)

Pictures by Version Crazy

..and some 30 years later

I quite like the sleeve actually . .sort of a cross between the colours of the first album and Dazzle Ships. Sort of has a geeky textbook feel to it as well.

details (via Pitchfork):
Release Date: October 4
Label: 100% Records

Tracklist:
01 New Babies: New Toys
02 If You Want It
03 History of Modern (Part I)
04 History of Modern (Part II)
05 Sometimes
06 RFWK
07 New Holy Ground
08 The Future, the Past, and Forever After
09 Sister Mary Says
10 Pulse
11 Green
12 Bondage of Fate
13 The Right Side?

OMD myspace

electric blue for me...

from this week's Smash Hits -
Brian McCloskey's Smash Hits archive

OMITD - Electricity (Dindisc 1980 version)

Ballet Dancing

For those brave enough to venture into post-Diamond territory Spandau Ballet have released expanded and remastered editions of their 'True' and 'Parade' albums this week.
'True' is released as a three disc edition featuring a CD of the original album, remastered; a CD of bonus material including previously unreleased remixes and live tracks and a DVD of the band playing live at London's Sadlers Wells theatre in 1983. 'Parade' appears as a 2-CD edition, featuring the remastered album and a number of bonus tracks on one disc and a BBC In Concert show recorded at Wembley Arena in 1984 on the other.

We're very much in mid-80s territory here so the uninitiated please beware . Gone were the days of eccentric clothing and Blitz-era dance classics such as To Cut a Long Story Short and The Freeze and even the spruced up Beat-Route boys of Chant No. 1 or Instinction. Communication, Gold and Lifeline off 1983's number one album True (knocked off the top spot by Thriller) are still bearable although the sickly sweet sleeze of the title track was the shape of things to come. Only When You Leave, I'll Fly For You and Round and Round off Parade a year later were very much the soundtrack of wine bar smooching and such like up and down the country ....

Oddly The Spans' success hardly went much further than this, with later albums Through the Barricades and Heart Like a Sky producing relatively modest sales. The courtroom was just around the corner...

Spandau Ballet circa 1984 . ...do we look mid-eighties in this? Oh dear..

Spandau Ballet chart stats

Wake up, wake up...

Well, woke up this morning after not enough hours of sleep to three big news items:

1. England are still in the World Cup (amazingly) and will face Germany in next match.. (should be a laugh)

2. John Foxx has put up T shirts and limited edition prints and wotnot up for sale on the Townsend site. Call me old fashioned but £20 still sems like a lot of money to me for a T-shirt. I might go for the limited edition 'art prints' (postcards) and Cathedral Oceans book though. Anyway if you're interested roll up roll up and click for details / orders.

3. Orchestral Manoeuvres in the Dark have released details of the new album History of Modern to be released on 20th September 2010. There is also a Sounds-of -the-Universe style box set with T shirt, book, vinyl, DVD, Peter Saville stuff, etc etc. Fifty quid. Let's hope the music's good too.
The official website has also undergone a welcome facelift with HoM graphics (sort of a mixture of debut album and Dazzle Ships) and a Facebook/Twitter friendly design. McCluskey and Humphreys have both contributed to the blog.
Throroughly Modern.

I Love 1980 - 15

The Human League - Empire State Human / Introducing

Scouring through the thirty-years-ago-today charts for a worthy subject of the 'I Love 1980' series I was amazed that there wasn't really much exciting going on at that moment in time and was wondering why on earth had I got so excited about 1980 anyway? I've already featured the best chart singles of the moment, OMD's Messages and Gary Numan's We Are Glass (Already on the way down), Kitchen At Parties... and OK I could stretch it to Lipps Inc.'s electro-disco hit Funky Town, Splodgnessabound and their wonderful Two Pints of Lager.., no doubt a rare 'indie' representative in the mainstream chart, or even ELO and their rousing I'm Alive, but...wait ..what's that single there coming in at no. 62??? Why, it's The mighty Human League with Empire State Human! That's more like it...

Although the song had already been released as a single in 1979 from debut album Reproduction, it had of course failed to get anywhere and was now being 're-purposed' by Virgin as a double 7" package with Only After Dark off the brand-new Travelogue album, wishing to ape the previous near-success of the Rock n Roll double pack. Good idea!

It's a classic early League song combining a sci-fi B movie scenario (some 'bored kid' who wants to be as tall and as big and as strong as the pyramids and the Empire State Building and stuff) with stomping electronics (recently remixed for this) and is still performed live by what's left of the League today. Its infectious and anthemic 'Tall tall tall..I wanna be tall tall tall..' is a well-known refrain among fans and non-fans alike, the difference being that of course us real fans knew it was a fantastic record. In fact in 1980 I went out and bought it (much to my chagrain finding only single 7" format), also on the back of a Smash Hits feature which appeared a couple of weeks later. It got several plays on my stereo that summer and I continued to confound friends at parties...

The B side 'Introducing..' is a curious track expressing the band's more experimental side from their Future roots. Sort of hard to explain how it goes (you can't whistle it) so here's a video I put together to go with it...a sort of fantasy live performance of the track which of course never happened.

Although the single did get The League more widespread recognition (despite not being a hit) it was their last one in the Oakey/Ware/Marsh/Wright formation and after the tour that summer the (Bob-Last engineered) split was imminent.
We all know that the shiny new Human League and indeed Heaven 17, went on to bigger things, but you often wonder what else they could have created if they'd stayed together.

get Empire State Human and Introducing.. here: on amazon

The Human League - Empire State Human

John meets Jean*

*that's pronounced in the Frenchie way of course as we are referring to none other than electronic music pioneer and handsome French chap Jean Michel Jarre, who was awarded the Mojo Lifetime Achievment Award last week in Londres ... by none other than the quiet man himself John Foxx.
The Foxxy one had some interesting things to say about Monsieur Jarre and his music of course not least that he was jealous of him (in 'nineteen seventy-something') cos he had a flat (apparte-ment s.v.p.!), his own recording studio and beautiful wife (erm, that would be Charlotte Rampling, who he divorced in 2002..).
Anyways good to see two of my (musical) heroes together and here's the video immortalising the moment..

Jean on John:
John Foxx also had an interesting view, he said that in England, he was feeling that the style of british pop and rock music was initially coming from America. When he listened to Oxygene, he felt that this music was totally european and had nothing to do with the US, and for him it was the signal that something totally different was happening. John is a delightful man and a great artist I always admired and receiving this award from his hands was really special for me.





Jean Michel Jarre - Equinoxe Pt. 4

Ghost Box

Just discovered this whole Ghost Box thing while mooching around various blogs. I really like the look and sound of all this stuff, sort of vintage 1970s electronic music and accompanying visuals but made... in 2010.
Here's one of their 'idents' which are sort of like those things we used to see before the start of BBC schools programmes back in the 70s.

Have a butcher's at their look and listen page for more delights.

OMD in China crisis

The Liverpool Daily Post reports that the proposed "Liverpool Day" at the Shangahi World Expo in October of this year is in jeapardy due to lack of funds. The proposed Liverpudlian musical bonanza involving the Royal Liverpool Philharmonic Orchestra, Orchestral Manoeuvres in the Dark, the Wombats, and the Pagoda Youth Orchestra may be scrapped because of a £400,000 hole in the budget.
Phil Southward, director of operation for Shanghai Expo, said Liverpool’s Expo presence would end up costing around £2.8m if the £400,000 for "Liverpool Day" were included and that the city council would have to approve for the additional money to be spent on the showcase finale.
Around 115,000 people have visited Liverpool's hi-tech stand at the Expo since opening two months ago.
It features a video greeting from Sir Paul McCartney, football, maritime and a 3D film of a Chinese dragon and a Liver Bird flying over the North West.
The investment is forecasted to bring a £5.5m to £47.5m benefit over the next 10 years in increased tourism and student intake as well as boosting exports and foreign investment.
OMD, busy with the preparations for their new album, History of Modern, and tour in the autumn, have yet to comment .

The Liverpool delegation in China: "Whaddya mean la you can't pronounce Orchestral Manoeuvres?"

I Love 1980 - 14

Gary Numan - We Are Glass

The advert in Smash Hits had already announced that neither We Are Glass or the B side, Numan's re-working of Erik Satie's Trois Gymnopedies, would be available on the 'forthcoming album' making this sixteen year old even more excited about what was to come from the alreay legendary Gazza.
The new single effectively brought in a brand new Numan style after the sparse synthetic sound of The Pleasure Principle just a few months hence. This time it was belting pumped-up drums, a thrashing guitar and a richer, more beefy synth line (with new stae-of-the art synths) that made it more rock than the previous material (even compared to Replicas) and yet still remaining fresh and exciting, effectively consolidating the 'synth-rock' sound which Numan had picked up from John Foxx's Ultravox and which would be re-copied by the new Ure-Vox and many others.
Lyrics are typically enigmatic although with the 'glass' idea I believe Gazza was already lamenting his fragility with respect to his public and in particular his critics, a letitmotif that would remain in the subsequent single I Die : You Die and the subsequent Telekon album.
Oh yes, and the new look - gone was the smart black suit with matching shirt and two-colour tie in favour of a futuristic shiny new Tomorrow People like space suit (soon to be replaced by the characteristic black boiler suit with red stripes - see video) with some kind of, er, tube in his hand. Numan may have been ridiculed by the press but he was just about the only one who could pull this kind of thing off, and the fans (like moi) loved it.
Going back to the single, it's chart progress was pretty typical making its entry into the Top 40 at no. 10, peaking at no. 5 a week later and then disappearing again within a month, ie. the fans rushed out to buy it (also in virtue of the non-album track idea), then the general record buying public let it slip by also due to the fact that it recieved little airplay (although I do remember the more mellow Trois Gymnopedies being played on Radio 2) and the video was banned by the BBC after being shown once on TOTP (I think). The only thing that irked me was the in-your-face use of his beloved guitar which meant he was already trying to shirk off the 'synth-artist' tag (cf the synth / keyboard heavy Cars video). It already seemed something to be 'ashamed' of.

• Get We Are Glass here
• See video here

Gary Numan - We Are Glass (live 2007)

Gary Numan , 1980. He was so fragile.